Blood and Ashes : Cover art

This is the last chapter of Here Be Voodoo, before a small epilogue.

Read at your own risk because, oh boy, I think this is going to be the worst chapter horror wise…

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The Witcher has this infuriating habit of using the dead as relay to talk to people, instead of walking up to them.
Laziness, we can all relate.

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Be very happy that, just like Gui, you don’t have the sound.
Because Viviane / Aisha is quick on the curse, especially on her ex.
(Non, Gui can’t really see or hear ghosts. The Witcher can, because he is dead on a technicality)

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Yuuuup, Aisha is trying to burn him up beyond death.
Strong woman, I tell you. Who do you think Sunday got it from?

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Gui, you know very well he doesn’t like the first two letters of this word…

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I may be a bit biased (I wrote and draw this comics during eight years after all) but I think this is the most beautiful proof of love in their… er… relationship.

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Don’t worry, the tears of blood are.. er… normal for lack of a better word.

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What Naima doesn’t say is that this situation is the best outcome out of all the possibilities.
They did well on that one: Nobody died!

Well, nobody is deader than they should be…

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Between the one who doesn’t say a word and the one who speak in riddles, Trez is done with the two sisters.

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He could have walk in calmly and thoroughly explain the situations to the villagers, but: No time.

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The Baron know everything, see everything, hear everything ! (also, I forgot to justify that part in the script, ok?)

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You will notice the Baron is a perfect gentleman as soon there is a young lady in the vicinity.
Yes, his wife know.

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One of the hardest things I had to balance when I was writing Here Be Voodoo was Naima and Sadiah’s limitations of powers.

If Naima would have been able to see the past and future without the limit of her memory and trance, and if Sadiah could talk to any dead wherever she was, the story would have only last a few pages.

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Yeah, well, Sunday being the worthy daughter of her parents is precisely the point of the comics.

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The difference in body language between Viviane and Sadiah was very fun to draw XD

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The relationship between Viviane and the Witcher was even more toxic than Ulf and Guilemma’s…
But I didn’t trust my skills to depict it in more details (also, I’m aro ace, (fictitious ) toxic love relationships just feel so illogical to me ^^; )

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Did you miss them?
I did !
As a reminder, left to right: Talkative, Teddy, back to us is Peepers, one of Talkative ‘sister’, then Strawberry and Monkeysock, Deafpot, Talkative other ‘sister’ and finally, Noleg.

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Despite the years, there are some things that never change with brothers.
The fact that neither of them listen to the other started at the beginning.

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Listen, Eshu, for her defense, she kinda had her mind elsewhere the last few hours…
Also, just wait till she realize was this mean about you and her.

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Finally, someone is able to explain morality to Sunday.

He may not have the time to good into the finer details, though…

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So yeah, I know, you can »‘t really tell with all these flames, but I tried to make sure Eshu’s body and the Witcher’s look like each other.

I’m a masochist.

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Digging the tunnel was Whis’s idea.

Just in case.

(And I think that’s the first time you can see Swallow in her human form.)

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Yes, this strategy is rotten, but from the Bayou’s criteria, it’s pure genius.
(There are only two strategists in the Bayou and they were dresses. And a poncho)

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Yup, that a statue of Mama Brigit.
And yes, she is most probably pissed off.

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Eshu won’t go without a fight, a scream and a curse.
Both meaning for curse.

(By the way, the man with Nancy and Guilemma is one of Jeremiah’s elder brother! Family reunion!)

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When I tell you he is slippery as hell.

(Yup, uncle 2 just go kicked in the face. If they all survive this, the next family meal is going to be interesting.)

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Aaaaand he fried his eyelids.
Again, would say Nancy if she wasn’t busy screaming at Eshu.

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You will note that Gui has steel-plated cojones to dare contradict the Witcher when he is in one of his… fiery moods.

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Yeah, Teddy trained them for theses kind of situations.
And yeah, he know Guilemma.
To their respective great displeasure.

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If you are wondering how was life et the Pit ten years ago, it looked like this : Guilemma and Teddy bickering and Aisha’s intervention when things were too loud.

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While I was drawing this page, I had to redo a few times Aisha’s proportions when I realized I was drawing Sunday instead.
So, if you want to know what Sunday could look like once adult: Panel 2 and 4.

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You can believe Ulf is currently screaming at gui that being chivalrous right now is a VERY VERY BAD idea.
Unfortunately, Gui can’t hear the dead.
And anyway, it wasn’t as if she was listening to him when he was alive.

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In the first version of the story, there was a full subplot about this key and how to prevent the Witcher to get it back, but it made no sense for him to hide it somewhere (he already saw what it did to give his soul o someone he trusted.)

So instead, I decided he was going to hang the key to his neck… And promptly forgot to draw it half the time.

So, I had to cobble an unsubtle revelation.

I swear I’m a pro !

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I’d love to say that Eshu is okay but… This hasn’t been the case for more than 200 years.
That being said : He is PISSED OFF.

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This family (in a very broad meaning ) has a problem with very sharp knives.

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To be completely honest, I was just searching for a mean to get Sunday’s hand above the undead’s head.

If I can add a bit more trauma to the mix, that’s even better!

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What the… no, Sunday, Hiding behind the statue will NOT help…

Pardon her, this is her slasher-victim moment, it will not happen again

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Teddy is second best thrower of all the dolls tribe.

Eshu is the first.

Noleg is a very good catcher, though. Fortunately, their mojo is in its head.

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For those who want the dialogue between the Witcher and Mama Brigit :

Witcher : If I get my hands on you…
Mama: If I get MY hands on you, you’re going to get it !

He is 200 years late on his spanking quota…

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It’s starting to get a bit confusing with all the Marassa pieces around, so, let’s try to clarify the mess.

  • Eshu : Receptacle of half Marassa’s soul. without the soul piece, this is only an inanimate wood puppet.
  • The stone heart placed in Eshu: Mojo of Marassa’s half soul, real vessel of the soul, can link the soul to the body it is in. it used to be one of the pendant around Marassa’s necks.
  • Marassa’s body : Remains of the Marassa who died on the pyre, 200 years ago, regularly ‘healed’ by the healers. He does not have a conscience, but contain Marassa’s last sensations and emotions. Which were: PAINFUL.
  • The handsome young man on this page :This is Marassa’s half of soul, who was put into the puppet and hence, Eshu’s « charming » and easy-going personality.
  • The Witcher : The other Marassa brother, who self undead himself and hid his half of soul somewhere.
  • Mojo: His mojo Viviane’s charm, which contain the Witcher’s half soul.

I’m… not quite sure it clarified anything, actually.

Also, I had to draw a chart for my own use cause i was getting lost myself.

And for the lore: Yup, this is Sad/Sadiah real appearance, when she died at 15. I didn’t dressed her in a poncho, she is wearing the khanga that Sunday used to sew herself a dress. Yes, I’m being overly precides, I know.

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There is a lot, WAY too lot, things happening in this first panel.

Deafpot is Peepers and Talkative other ‘sister’ and is, as its name imply, deaf as a pot, which mean it can’t always manage it’s voice volume.

Oh, and one other detail, Peepers, Talkative and Deafpot were inspired by the Three wise Monkeys… You know. Them.

Guess which is which. You have three try for each.

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Teddy’s pocket is bottomless, indeed. He can put anything in it, as long it can pass the opening and is not alive.
A sojourn in the endless void tend to make the living a tiny bit bonkers.
And I admit, I’m a big fan of the dolls’ running commentary of the situation.